// 1976 801 - Live

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801 were an English progressive rock band that were originally formed in 1976 for three live concerts by

• Phil Manzanera (guitars, ex-Roxy Music)
• Brian Eno (keyboards, synthesizers, guitar, and vocals, ex-Roxy Music)
• Bill MacCormick (bass and vocals, ex-Quiet Sun, Matching Mole)
• Francis Monkman (Fender Rhodes piano and clavinet, ex-Curved Air)
• Simon Phillips (drums and rhythm generator)
• Lloyd Watson (slide-guitar and vocals).

In 1976, while Roxy Music had temporarily disbanded, 801 (also referred to as THE 801) got together as a temporary project and began rehearsing at Island Studios, Hammersmith, about three weeks before their first gig. The name of the band was taken from the Eno song "The True Wheel", which appears on his 1974 solo album Taking Tiger Mountain (By Strategy). The refrain of the song -- "We are the 801, we are the central shaft" -- reportedly came to him in a dream.

801 performed three critically highly acclaimed concerts: in Norfolk, at the Reading Festival and the final concert on September 3 at London's Queen Elizabeth Hall. This last concert was recorded live and released as the album 801 Live. The music consisted of more or less mutated selections from albums by Manzanera, Eno, and Quiet Sun, plus a full-scale rearrangement of Lennon-McCartney's "Tomorrow Never Knows" and an off-the-wall excursion into The Kinks' 1964 hit "You Really Got Me".

// 1974 Brian Eno - Here Come The Warm Jets

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Here Come the Warm Jets is the first solo album by Brian Eno (although credited simply as "Eno"), recorded in a few weeks shortly after he left Roxy Music.

The album's musical styles range from aggressive garage rock ("Blank Frank") to serene Beach Boys-style reverie ("On Some Faraway Beach"). Eno enlisted a large number of guest musicians to play on the album, including three members of Roxy Music, guitarist Robert Fripp and bassist John Wetton of King Crimson and members of Hawkwind and the Pink Fairies. One of the most notable performances from these guests is the cacophonous three-minute-long guitar solo by Fripp on the song "Baby's On Fire".

"Warm jets" is used by Eno to describe the distorted guitar in the title track, which evokes the sound of a jet engine.[1] Eno himself claims that he often chooses words for their sound.

The album provided Eno with modest success in the UK album charts, and would in fact be his only album to chart for the remainder of the 1970s apart from 1978's Music for Airports.

In 2003, the album was ranked number 436 on Rolling Stone magazine's list of the 500 greatest albums of all time.